More Fun With Figures

Over the years I’ve kept mostly away from figure painting. Not sure why. I’ve done images of people in light-hearted work, such as cartoon-style water-colours to record travels. But lately I’ve wanted to summon the human figure onto canvas, and these ones have come out to play.

I’m still figuring out (yes, Cloudy, that’s a pun) who these people are. I’ve heard fiction writers say they don’t control what their characters do. They put them on the page and wait to see what happens. This feels a bit like that. These figures seemed to arrive of their own accord. The images all started with the figures as sketches, and the rooms they occupy emerged from there.

Are all characters facets of the author? Maybe. These figures are all women, so that’s a clue perhaps. Another is that they inhabit the kinds of spaces I’ve been painting for years. They seem to possess the bowls and vases and flowers of a hundred still life compositions I’ve done in my life.

The figures all wanted to be busy. It’s true the seated woman — who is to me particularly mysterious — isn’t doing anything. But she has a look of calm readiness about her, as though her work is all recently done, and that something interesting is about to happen in this energetic space she occupies. It’s like she has arranged a still life for me to paint and then sat in the middle of it, as if to say, “Here I am.”

Love Notes

For years now I have been hiding tiny sculptures, paintings and messages around town for people to find. I think of them as love notes. It began at a time when I was working with a friend who has Alzheimer’s, a celebrated Canadian artist whose memory of her career has been erased by the disease. At that time she could still travel around the city, and we would go for walks or coffee, and I helped her buy groceries. I would have a pocket full of love notes. We would decide together where to hide them in the store. Behind the pickles? Among the tomatoes?

I’ve tried handing them out directly now and then, but that can be unpredictable. Once when I was staying in Los Angeles for a few months, I went up to a woman in a community garden in Santa Monica offering a mini artwork, and she got scared. People are never afraid of me, I don’t think, but I guess my delivery was off that day.

Mostly I just leave these pieces to be found anonymously. I get the same pleasure out of it as having a piece up on a gallery wall, when it comes right down to it.