Horses, horses

A friend of mine from down east commissioned me to do a painting. Not just of any old thing, but a painting of a horse. I like horses — who doesn’t? —but don’t know much about them. Many years ago, I went on a winter trail ride with some friends. I got my own horse to ride. These were not the sleepy kinds of horses that you usually find at trail riding places. These were wilder, or else the cold made them frisky, or maybe the constellation Orion was freaking them out. Like I said, I don’t know much about horses. Anyway, these wanted to run like hell.

I did find out that evening that, unlike the movies, horses do not stop when you scream “whoa” in a panicky voice while atop their backs. In fact, this makes them go faster. It makes them scared and annoyed, and they gallop so that you will also be scared and annoyed. I bet if you are learning to ride, galloping full blast is something you work up to. Well, I skipped the beginner stuff. I screamed “whoa” until this pony was sprinting. If you’ve never done it, you can’t believe how scary it is to gallop on a horse. And did you know that, when your horse takes a really sharp turn, his or her hooves become visible out to one side? Those corners were treacherously icy. A car would have skidded going that fast. Had my reckless horse considered the consequences? I didn’t know. I still don’t know. We galloped all the way home, and then my horse stopped by himself. Or herself. We didn’t look each other in the eye after that, after what had happened.

So as I say, I don’t know anything about horses. But I figured that painting them must be easier than riding them. Also, it so happened that, in the week of that commission, another friend took me to a movie, Werner Herzog’s Cave of Forgotten Dreams. It is about the Chauvet caves in France, which are full of gorgeous cave paintings, many of them horses, all of them 32,000 years old. The movie was very beautiful, shadowy and cinematic. The popcorn was very salty.

I came home and immediately wanted to do my own cave paintings. Lacking a proper cave wall, I made do with a canvas. The image above I made as the Chauvet ones are thought to have been made, though the pigments came from tubes. I used my hands, and a piece of charcoal. Also, there is some dirt mixed in with the paint. Hey, it’s art, man. You can do whatever you want.

For about 24 hours I thought I would do a whole series of cave-canvas paintings. Cloudy thought that was brilliant. He was over the moon about it. But then I changed my mind. In art, you can do that.

The Blossom Project

Summer has finally begun, I am home again and my yard is full of blossoms. Icelandic poppies, columbine, obedients. This is not all.

I have started a new art project that is unlike anything I have done before. It involves all the watercolours that I did while I was living in New York. On August 5, there is going to be a one-night exhibition, at the AKA Gallery in Saskatoon. (The painting above is just a sneak preview.) And then I am going to give all these paintings away. I am going to package them up and mail them away to 20 strangers all around the world.

It’s called The Blossom Project, and it has is own website to explain it all. But don’t click on it yet. [Note: The Blossom Project site has been taken down. It’s on the to-do list to put some of its pages in the archives here. –Sunny.] First I have to tell you the other thing. I am doing this project with my man. We have never really worked as partners on anything before. Well, we do a lot of things together. But you know what I mean.

He is a writer. He is handling the word-end of the project. You can’t just mail a painting to someone who doesn’t know you without a note of explanation, or people might think you are a bit whacko.

My man can be very serious. He is kind of a perfectionist. He works hard. He will work all morning without looking up. “Maybe you should have a sandwich,” I say. He says he will, but I doubt it. “Want me to make you a sandwich?” This will usually get through to him. He will say sure, OK. If you give him a sandwich, he will work all afternoon. He reminds me of my Golden Retriever, Shadow, who is no longer with us. Shadow would do a lot for just a tiny piece of cheese.

Painting is nearly always fun. Being a dog seems like it is total fun — if Shadow was any kind of example. For some reason, writing is a very serious business. It’s not exactly fair, but that’s the way it is. Anyway, it will be interesting to see what we come up with together, my man and I. Sunny and Cloudy. Yin and Yang.

New Work: Six little paintings






Six Paintings Trying to be Formless
Share Love, Purple Angel, Blue Angel in a Pink Universe, Heart Centred Universe (sold), and Kitty Power (Sold)
Acrylic, mixed media on canvas

under 12 x 20 cm
Marlene Yuzak
Here are six small paintings that tried to be abstract but could not help themselves from representing something. Hearts and angels have a way of arriving even when I don’t invite them. Tea cups fall into my paints. Cats walk all over me. I love to paint these things, but I think I would love to paint nothings too if I could only figure out how. You could say most of my work has a balance of representational and abstract forms. Or that I juggle recurring images into an abstract blur. Well, you can say whatever you want because it’s a free kitty power country.

Anyway . . . I am going on a sabbatical. This seems like a change of subject, but it isn’t really, you’ll see. My man won some money betting on a pony and he’s asked me to come with him on a trip. He’s going to write, and I am going to paint. For three months. That’s why its called a sabbatical. It’s like the Sabbath. Every day is Sunday, until your money runs out.

So we chose a place on Long Island, New York and rented a cottage on Gingerbread Lane. As it happens Jackson Pollock (who gets a lot of attention) and Lee Krasner (who doesn’t get enough attention) did very much the same thing. They bought their paints at an art store four doors down from ours. Is this a sign, or what?

As Frank Sinatra says about New York, if you can make it (abstract) here, you make it (abstract) anywhere.

New Work, New Exhibition

When I hear the words “New Exhibition,” I think cotton candy and ferris wheels. Well, this one is paintings. The work you see in this post will be shown at Esteem for the Home, a retail gallery in Saskatoon, beginning in September. Scroll down to see more of the work, and get directions to the gallery.

You can find more information about the space at esteemforthehome.ca, and the street address is 106B – 3929 8th Street East.



New Work: Open Heart for Cloudy

Open Heart for Cloudy
Acrylic, mixed media on canvas

12 x 20 cm
Marlene Yuzak
This is the second of two similar paintings. It is small enough to fit in your hand. The first one I made for a friend who said she needed help keeping an open heart. When I showed that one to my man, something about it got him. He sees a lot of my paintings in progress and his feedback is very helpful sometimes. When it isn’t, he doesn’t mind if I ignore him. (This is very professional of him, because otherwise he doesn’t like being ignored at all.) Anyway, you can tell when someone likes a piece, because they usually say something spontaneous like: “Oh, I wish you could paint me one of those.” Which is more or less what he said. And so I made him this one.

New Work: Heart Angel Lantern Vine



Heart Angel Lantern Vine
Acrylic, mixed media on canvas

120 x 60 cm
Marlene Yuzak
Once in awhile, not often, I work on a piece for a long time, trying to bring it to life. Recently, I worked on a painting for three weeks before a friend patted me on the back and said maybe I should let it go. I don’t like to leave work unfinished and almost never do. The main image I liked, but other aspects were giving me trouble. I threw so much acrylic paint at it that the canvas tightened up and the stretcher warped. Sadly, I admitted that the patient was dead and could not be revived.
The next painting — which you see above — I did in a few hours, using all the elements I liked from the previous one. Art is like that. When you go the wrong direction, it is a struggle. When you are on the right track, it is easy. I think this what Krishnamurti means when he says it is effort that defeats us.

New Work: Girl with Cherry Blossoms


Girl with Cherry Blossoms
Acrylic, mixed media on canvas

10 x 13 cm
Marlene Yuzak
This piece was created while I was teaching an art class. We were working on layering, and using found images — in this case the Japanese girl, and the red heart. The heart is actually a piece of a prayer string blessed by the 14th Dalai Lama, which was given to me by my friend, Linda.

Collected Work: Ascend, 2002


Ascend
acrylic, mixed media on canvas
150×300 cm
Marlene Yuzak
2002

Lately, being busy with starting a new business, I have been on one of my longest-ever breaks from making art. Maybe I will just quit painting forever. HA HA HA! As if!!!!


This time, I am showing you a painting of mine from a few years ago. It belongs to Royal University Hospital in Saskatoon. They recently moved it from the children’s ward of the main hospital to the brand new Irene and Leslie Dubé Centre for Mental Health. That is the new, sloped-roof building you can see on the riverbank as you come up the University Bridge.

I am glad to have the piece in wonderful spot across from the lounge in the adolescent in-patient wing where kids will see it. Peace.


New Work: Love Blossoms

Love Blossoms
acrylic, paper collage on canvas
50×80 cm
Marlene Yuzak
2009

This work was done while my friend Egan was working on my basement. He would arrive early and I would begin painting. This painting had many layers applied to it. It started off as a abstract, then a patterned rug. One morning as Egan arrived, a pink glow was coming in the window. Egan and I had a discussion about gold, and after that the painting came together. Often my work has alot of history before the final painting comes through.